Page 107 - FAROUK HOSNY
P. 107
s foreign object. While Farouk Hosny Acrylic on Canvas, 120 x 120 cm, 2018.
has improvised and presented a different
approach of an abstract artwork which
creates more puzzles. The structure of
abstract art in Farouk Hosny’s artworks
does not need to add “collage” for
description but he adds it as a stimulant
to create a new visual equation.
Emotions and abstraction Acrylic on Canvas, 150 x 120 cm, 2018.
The recipient should have the “Sympathy
to the aesthetic experience” of the artist
to be able to contemplate Farouk Hosny’s
artworks, which mainly consists of giving
himself the opportunity to explore the
artwork’s importance and beauty. The
sensual perception of visuals through the
eye is followed by its transformation into a
mental image that is filtered in the mind of
the recipient and colored by his personal
emotional balance, as he begins to explore
a map of visual bodies that the eye first picks
up then the mind casts upon his concepts
and then begins its emotional impact in
interconnected and rapid processes, and
this action occurs whether these bodies
are realistic, fictional or abstract.
105
has improvised and presented a different
approach of an abstract artwork which
creates more puzzles. The structure of
abstract art in Farouk Hosny’s artworks
does not need to add “collage” for
description but he adds it as a stimulant
to create a new visual equation.
Emotions and abstraction Acrylic on Canvas, 150 x 120 cm, 2018.
The recipient should have the “Sympathy
to the aesthetic experience” of the artist
to be able to contemplate Farouk Hosny’s
artworks, which mainly consists of giving
himself the opportunity to explore the
artwork’s importance and beauty. The
sensual perception of visuals through the
eye is followed by its transformation into a
mental image that is filtered in the mind of
the recipient and colored by his personal
emotional balance, as he begins to explore
a map of visual bodies that the eye first picks
up then the mind casts upon his concepts
and then begins its emotional impact in
interconnected and rapid processes, and
this action occurs whether these bodies
are realistic, fictional or abstract.
105
