Page 120 - Ahmed Fouad Selim
P. 120
اﻟﺳﺑق اﻟﺻﺣﻔﻲ و اﻹﺳﺗﻘواء ﻋﻠﻲ اﻟﻔن و اﻟﻔﻧﺎﻧﯾ ن
) ٢٠٠٧ ﯾوﻧﯾو١ ٠ (
و ﻓﻲاﻟﺛﻼﺛﯾﻧﺎت ﯾﻔﻌل اﻟﺷﻲء،"ووﺻل اﻟﺣﺎل أن اﻟﻔﻧﺎن و ھو ﻓﻲ اﻟﻌﺷرﯾﻧﺎت ﻣن ﻋﻣره ﯾذھب ﻟﯾﺳﺗﺟدي ﺧﺑراً ﻟﻣﻌرﺿ ﮫ
،وﻓﻲ اﻷرﺑﻌﯾﻧﺎت و اﻟﺧﻣﺳﯾﻧﺎت و اﻟﺳﺗﯾﻧﺎت ﯾﻛف ﻋن ﻣطﺎردة اﻷﺑواباﻟﻣﺧﺗﺻﺔ و ﻏﯾر اﻟﻣﺧﺗﺻﺔ ﻓﻲ اﻟﺻﺣف،ﻧﻔﺳﮫ
ﻓﺈذا ھو ﺑدوره ﻋﻠﯾﮫ أن ﯾطﺎرد، ًو أناﺣﺗرام ﺗﺟرﺑﺗﮫ ﺻﺎر واﺟﺑﺎ، ًو ﻓﻲ اﻟﺳﺑﻌﯾﻧﺎت ﯾﺗﺻور اﻹﻧﺳﺎن أﻧﮫ ﺑﻠﻎ ﻣن اﻟﻌﻣر ﻋﺗﯾﺎ
و ﻓﻲ ﺿرورة، ﻟﻧﻘص ﻣﻔﺟﻊ ﻓﻲ اﻻطﻼع ﺑﺎﻟواﺟ ب،و ﻻ ھﻲ ﻋﺎدت ﺗﻌرﻓﮫ،اﻷﺑواب اﻟﺻﺣﻔﯾﺔ ﻣﻊ أﺟﯾﺎل ﻣﺎ ﻋﺎد ﯾﻌرﻓﮭﺎ
".اﻟﻌﻠم ﺑﺎﻟﺗﺎرﯾﺦ
ﻻ ﯾﻘدر ﻋﻠﯾﮭﺎ ﺳوي أﺻﺣﺎﺑﮭﺎ ـ و ﻟﯾس ھؤﻻءأو أوﻟﺋك ﻣﻣن ﺻﺎروا، و ﻣﻌرﻓﺔ و ُمةنك،و ﺛﻘﺎﻓﺔ،"ذﻟك أن ﻧﻘد اﻟﻔن ﺧﺑرة
،و اﻟﺟﺑﺎﺧﻧﺟﻲ،و ﻓؤاد ﻛﺎﻣ ل، وﯾوﻧﺎن،ـ ﻓﻲ ﺳرﻗﺔ ﻣن اﻟﺗﺎرﯾﺦ ـ أﻧداداً ﻟﻠﺷواﻣﺦ أﻣﺛﺎل ﻟوﯾس ﻋوض و زﻛرﯾﺎ إﺑراھﯾم
".أﻗول ذﻟك و أﻓوض أﻣري إﻟﻲ ﷲ.و ﺑدر اﻟدﯾن أﺑوﻏﺎزي
أمحد فؤاد يلسم
Press Precedence and Bullying of Art and Artists
June 10th, 2007
“The artist, in his twenties, went to find news for his exhibition, and in his thirties, he did
the same thing; in his forties, fifties and sixties he stopped chasing the specialized and
non-specialized doors in newspapers. In the seventies, a person thinks he is too old, and
the respect for his experience is a duty. In turn, he has to chase down the press doors
with generations he no longer knows, nor do they; there is a tragic lack of knowledge of
duty and history."
“Criticism of art is an experience, a culture, a knowledge and an empowerment that only
professionals can do it; in theft of history, not those who have become peer to preachers
such as Louis Awad, Zakaria Ibrahim, Yunnan, Fouad Kamel, Jabakhanji, and Badr al-Din
Abu-Ghazi. I say that and I submit to Allah's power.”
Ahmed Fouad Selim
118
) ٢٠٠٧ ﯾوﻧﯾو١ ٠ (
و ﻓﻲاﻟﺛﻼﺛﯾﻧﺎت ﯾﻔﻌل اﻟﺷﻲء،"ووﺻل اﻟﺣﺎل أن اﻟﻔﻧﺎن و ھو ﻓﻲ اﻟﻌﺷرﯾﻧﺎت ﻣن ﻋﻣره ﯾذھب ﻟﯾﺳﺗﺟدي ﺧﺑراً ﻟﻣﻌرﺿ ﮫ
،وﻓﻲ اﻷرﺑﻌﯾﻧﺎت و اﻟﺧﻣﺳﯾﻧﺎت و اﻟﺳﺗﯾﻧﺎت ﯾﻛف ﻋن ﻣطﺎردة اﻷﺑواباﻟﻣﺧﺗﺻﺔ و ﻏﯾر اﻟﻣﺧﺗﺻﺔ ﻓﻲ اﻟﺻﺣف،ﻧﻔﺳﮫ
ﻓﺈذا ھو ﺑدوره ﻋﻠﯾﮫ أن ﯾطﺎرد، ًو أناﺣﺗرام ﺗﺟرﺑﺗﮫ ﺻﺎر واﺟﺑﺎ، ًو ﻓﻲ اﻟﺳﺑﻌﯾﻧﺎت ﯾﺗﺻور اﻹﻧﺳﺎن أﻧﮫ ﺑﻠﻎ ﻣن اﻟﻌﻣر ﻋﺗﯾﺎ
و ﻓﻲ ﺿرورة، ﻟﻧﻘص ﻣﻔﺟﻊ ﻓﻲ اﻻطﻼع ﺑﺎﻟواﺟ ب،و ﻻ ھﻲ ﻋﺎدت ﺗﻌرﻓﮫ،اﻷﺑواب اﻟﺻﺣﻔﯾﺔ ﻣﻊ أﺟﯾﺎل ﻣﺎ ﻋﺎد ﯾﻌرﻓﮭﺎ
".اﻟﻌﻠم ﺑﺎﻟﺗﺎرﯾﺦ
ﻻ ﯾﻘدر ﻋﻠﯾﮭﺎ ﺳوي أﺻﺣﺎﺑﮭﺎ ـ و ﻟﯾس ھؤﻻءأو أوﻟﺋك ﻣﻣن ﺻﺎروا، و ﻣﻌرﻓﺔ و ُمةنك،و ﺛﻘﺎﻓﺔ،"ذﻟك أن ﻧﻘد اﻟﻔن ﺧﺑرة
،و اﻟﺟﺑﺎﺧﻧﺟﻲ،و ﻓؤاد ﻛﺎﻣ ل، وﯾوﻧﺎن،ـ ﻓﻲ ﺳرﻗﺔ ﻣن اﻟﺗﺎرﯾﺦ ـ أﻧداداً ﻟﻠﺷواﻣﺦ أﻣﺛﺎل ﻟوﯾس ﻋوض و زﻛرﯾﺎ إﺑراھﯾم
".أﻗول ذﻟك و أﻓوض أﻣري إﻟﻲ ﷲ.و ﺑدر اﻟدﯾن أﺑوﻏﺎزي
أمحد فؤاد يلسم
Press Precedence and Bullying of Art and Artists
June 10th, 2007
“The artist, in his twenties, went to find news for his exhibition, and in his thirties, he did
the same thing; in his forties, fifties and sixties he stopped chasing the specialized and
non-specialized doors in newspapers. In the seventies, a person thinks he is too old, and
the respect for his experience is a duty. In turn, he has to chase down the press doors
with generations he no longer knows, nor do they; there is a tragic lack of knowledge of
duty and history."
“Criticism of art is an experience, a culture, a knowledge and an empowerment that only
professionals can do it; in theft of history, not those who have become peer to preachers
such as Louis Awad, Zakaria Ibrahim, Yunnan, Fouad Kamel, Jabakhanji, and Badr al-Din
Abu-Ghazi. I say that and I submit to Allah's power.”
Ahmed Fouad Selim
118
