Ceramics is one of the oldest art man has ever experimented with. The craft witnessed a remarkable success when gifted ancient Egyptian artisans created impressive articles and fascinating shapes. Further, glazed ceramics and pottery elaborately ornamented with geometric, floral, animal and human illustrations were the landmarks of Coptic art in Egypt. The craft reached a peak under Muslim craftspeople, who created inspiring objects. However, ceramics came across its golden age under the Fatimide ruling in Egypt, especially after brilliant ceramicists employed glazed illustrations and shapes, which drew the attention of larger number of admirers of this particular art. Unfortunately, ceramics witnessed ages of deterioration and negligence for different reasons. The craft was resuscitated in Egypt under great ceramicist Said al-Sadr (1909-1986) who pioneered efforts and researches sought to restore its glory. His success encouraged art officials in the country to build strong bridges of co-operation and interaction with with internationally-acclaimed ceramicists. The initiative received much success after the birth of Cairo International Biennale for Ceramics. The Biennale also acts as a medium for interactive dialogue and exchange of new experiences between ceramicists representing different schools in world countries. Up to 25 countries took part in the Biennale’s first edition in 1992. Moreover, enthusiastic Egyptian officials opened a museum in the 15th May Centre to shed more light on ceramics created by 47 artists in world countries. The museum’s 5000 favourites highlight latest trends and modern techniques in this respect.